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The singer, a veteran of TV's True Detective, uses sensual minimalism to get at emotional truths. Hers is the sort of wistful awareness that gets under your skin.

The long-running roots-pop band's new music nicely re-creates a honeyed, harmony-rich sound while still expanding it in subtle, appealing ways.

TriPod: New Orleans at 300 returns with a two-part series on highways. The first looks at a controversy so intense, it’s called the ‘Second Battle of...

Best known for her work with Nickel Creek, Watkins explores a pop palette in her solo career. In "Move Me," she tugs zealously at a lyrical trope, giving it new life and meaning.

The two nations topping the world in greenhouse gas emissions agreed at the Paris talks to cut way back. But critics have stalled a key part of the U.S. plan, and China's good start may be fragile.

No wonder we don't feel rested after a first night in a new place: Half of our brain has stayed alert while the other half enjoyed deeper sleep, a study finds. We really have been half-asleep.

Leslie Odom Jr., the singer and actor performs a cover of Duncan Sheik's "The Guilty Ones" from Odom's self-titled debut album — with guitarist Robin Macatangay.

There were no dress circle lounges nor mezzanine bars 400 years ago. Back then, audience snacked on cold nibbles and ready-made street food from vendors they passed on their way to the performance.

As Elvis and Nixon respectively, Michael Shannon and Kevin Spacey don't attempt impersonations, but with varying degrees of ham (more in the former case than the latter), they tell a strange story.

Susan Sarandon and Rose Byrne play mother and daughter in a story that, for once, recognizes that there's a solid argument to be made for a mom who gives, if anything, too much of herself.